Paramore (2013) [FLAC]

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Paramore (2013) [FLAC] (Size: 424.81 MB)
  15 - Interlude- I'm Not Angry Anymore.flac 3.14 MB
  14 - (One of Those) Crazy Girls.flac 23.86 MB
  13 - Hate to See Your Heart Break.flac 32.5 MB
  12 - Proof.flac 23.4 MB
  16 - Be Alone.flac 26.52 MB
  17 - Future.flac 44.56 MB
  paramore.cue 2.55 KB
  Paramore - Paramore.m3u 1.07 KB
  Paramore - Paramore.log 16.21 KB
  11 - Interlude- Holiday.flac 3.92 MB
  10 - Ankle Biters.flac 17.5 MB
  04 - Daydreaming.flac 30.9 MB
  03 - Grow Up.flac 28.45 MB
  02 - Now.flac 30.67 MB
  05 - Interlude- Moving On.flac 5.84 MB
  06 - Ain't It Fun.flac 36.01 MB
  09 - Still Into You.flac 26.35 MB
  08 - Last Hope.flac 31.19 MB
  07 - Part II.flac 31.58 MB
  01 - Fast in My Car.flac 28.4 MB


Paramore (2013) [FLAC]

Released: 2013
Duration: 1:03:56
Genre: Pop/Rock
Style: Alternative
Source: CD (log + cue)
Codec: FLAC
Bit Rate: ~ 1,000 kbps
Bits Per Sample: 16
Sample Rate: 44,100 Hz

01 Fast in My Car
02 Now
03 Grow Up
04 Day Dreaming
05 Moving On (Interlude)
06 Aint it Fun
07 Part II
08 Last Hope
09 Still into You
10 Ankle Biters
11 Holiday (Interlude)
12 Proof
13 Hate to See Your Heart Break
14 (One of Those) Crazy Girls
15 Im Not Angry Anymore (Interlude) (
16 Be Alone
17 Future

Easily the band's most adventurous, experimental, and accomplished release to date, Paramore's fourth studio album, 2013's eponymously titled Paramore, is a landmark, a genre-breaking masterwork that, like Madonna's Like a Prayer or U2's Achtung Baby, finds Paramore crystallized into the seminal, cogent rock band we always knew they'd grow up to be. For this release, Paramore worked with producer Justin Meldal-Johnsen, whose previous production credits include artists like Neon Trees and M83. Perhaps not the most obvious choice for a band that developed alongside labelmates like Fall Out Boy, but the first-time pairing explodes with chemistry, coalescing the group's grand emotionality and ridiculously tight hooks with ever new and genius musical avenues, like electronica and even orchestral flourishes. The idea that your songs should only include instrumentation that you can pack into your tour van is a practical limitation that for plenty of bands, especially those of the punk ethos, can become a downright philosophical limitation. But when original guitarist and drummer Zac and Josh Farro left the band in 2010, Paramore was forced to allow vital roles in their sound to be filled with hired professionals rather than actual bandmembers -- after all, they needed somebody to play drums. This clearly opened the band up to exploring all other manner of possibilities in the studio that they could not reasonably fit into a van or reproduce in a garage, like a board full of subtly perfect synth intonations or, in the case of one song (the immediate classic "Ain't It Fun"), a gospel choir. The change represents more than just growth; it's transcendence. Paramore have made the album of their career.

The record's collaborative foundation crackles on every track, but Hayley Williams, a ballsy, extroverted frontwoman with a voice big enough to stop time, proves unequivocally to be the cunning talent of the band, no matter how vital York and Davis may be. Whether she is belting out a do-or-die alt-rock anthem like "Now" or cooing coyly on three ukulele-backed "Interludes," Williams imbues each song with a robust charisma and relentlessly positive attitude. While longtime Paramore fans will recognize the driving, no-holds-barred attack of cuts like "Daydreaming," "Anklebiters," and "Part II," the album also soars on the band's newfound use of keyboards, programming, and York's often thickly layered, heavily effected guitar. Without a doubt, even a newcomer to Paramore's music is in rapturous danger of being up all night after listening to this disc, possessed by each track's driving, perfect hook. But knowing about the drama that precipitated the album only adds further dimension, not to mention a sense of vicarious satisfaction for Paramore's glorious triumph over inter-band adversity. After all, the Farros didn't just leave, they also caused a big stink the day after announcing their departure, posting a mean-spirited diatribe about their former bandmates on the Internet. The fact that Paramore went on to not just put themselves back together, but create the best work of their entire musical tenure -- a work lyrically inspired by the Farros leaving, and unimaginable as having been stylistically possible with them still in the band -- is a revenge fantasy that would seem too sweet to be true if it weren't laid out for us all to hear. Paramore is a veritable pop opera about a band reborn, phoenix-like from the ashes of a broken lineup, better and stronger than any previous incarnation.

Although their blend of emo-pop and slick, anthemic rock & roll eventually made them stars on both sides of the Atlantic, Paramore began humbly enough in Franklin, TN, where Hayley Williams met brothers Josh and Zac Farro after moving to town from Mississippi. Already a powerhouse vocalist at the age of 13, Williams joined a band that the Farro siblings had formed with local guitarist Taylor York. She left the group soon after, signing with Atlantic Records as a solo artist instead, but clashed with the label over the direction of her music. Seeking to front her own band, Williams convinced Atlantic to let her piece together a full lineup. Josh and Zac Farro were recruited for the job, as were guitarist Jason Bynum and bassist Jeremy Davis.

From the start, Paramore's poppy melodies and zippy songwriting seemed to contradict the fact that none of the bandmates (with the exception of Davis) were older than 18. To help attract a younger audience, Atlantic decided to share the band with Fueled by Ramen, a Florida-based label with a strong roster of emo-pop acts. Fueled by Ramen officially co-signed the group in April 2005, and Paramore's full-length debut, All We Know Is Falling, was released later that summer. In addition to a performance at New Jersey's Bamboozle Festival and multiple dates on the Warped Tour circuit, Paramore played shows with such simpatico bands as Simple Plan and Straylight Run. Hunter Lamb replaced Bynum on guitar in December 2005, and the band spent the following summer on the Warped Tour once again, cementing its relationship with the fans who had caught the previous summer's shows. Lamb parted ways with the group in early 2007 to get married, and Paramore continued onward as a quartet.

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Outstanding as always. Cheers SV.
thanx SV good album :)
thanks for the chance to listen to this album 'cos I would never have bought itsmile
Oh and the quality is excellent as always

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